![]() Our city has been blessed with so many amazing pieces of art, we cannot wait for you to experience each of them up close and personal.Įach Tuk Tuk holds 6 people. By continuously collaborating with ArtRepublic Global, Go Tuk’n will maintain our ongoing knowledge of new pieces of artwork, the accuracy of the information is straight from the artists themselves and allows us to give back to our artist community. However it is spread out throughout the Urban Core – Downtown Jacksonville, Springfield, Riverside, Avondale, and San Marco.On this engaging small group tour via luxury, eco-friendly, Tuk Tuk you will not only see the art itself but you will learn about the artists and the inspiration behind each and every piece. Jacksonville has one of the largest public art collections in the nation. Accessibility Note: participants need to be able to step in and out of the Tuk Tuk (similar to stepping into a golf cart but a little higher off the ground).There will be stops and opportunities to get out of the TukTuk. This tour will start and end at the Hyatt Regency Riverfront (host hotel).Step back in time while visiting famous landmarks and old architectural gems in a small group. Learn about the various architects from around the world who came to Jacksonville after our 1901 fire to help us rebuild visit several memorial features visit the old living thing in Jacksonville – Treaty Oak is a magnificent that was planted even before our City was actually incorporated and much more. Your Downtown Jacksonville City tour has it all – plus hidden gems locals don’t even know about! Explore beautiful city landscape of Downtown Jacksonville and learn about the region’s rich and varied history at the beach and along the banks of the St. History, Business Architectural Achievements, Memorials and more. There is no better way to see and learn about our downtown history than on a tuk tuk. Jacksonville’s history and artwork is spread across many areas. This workshop is supported in part by a collaborative agreement between the Foundation for Advancement in Conservation (FAIC) and the National Center for Preservation Technology and Training (NCPTT).Įxplore Jacksonville’s history and architecture with a small group of colleges in a TukTuk. This refresher is designed for those who have already received some level of PLM training. ![]() ![]() Participants will come away with a refreshed understanding of polarizing light microscopy, its relevance to the study of art materials, and how it can be applied to their own work. The second day of the workshop will cover pigment identification with PLM with hands-on exercises to identify unknowns, discussion of sampling from objects and sample prep, and lecture on additional instrumental techniques and case studies. The first day of the workshop will cover a microscope introduction and use including setting up Kohler illumination, particle measurement, Becke line test for determination of relative refractive index, understanding relief, isotropism and birefringence, polarization colors, types of extinction, pleochroism. Participants will receive a small slide reference set to use during class and a packet of self-teaching worksheets designed for future use. Sample collection and preparation will be discussed, as well as supplementary analytical techniques that may be necessary. Microscopy skills will be refreshed through lectures and exercises designed to re-teach and expand on participant’s ability to recognize key optical and morphological properties of pigments that can lead to their accurate identification, such as relative refractive index, pleochroism, and anisotropy. Participants will be equipped with Leica DM750P petrographic microscopes. This two-day workshop will provide an intensive, hands-on re-introduction to the theory and practice of PLM, especially as it pertains to historic pigments found in cultural heritage objects. Most conservators receive introductory PLM training in an educational program, but there can be little opportunity to maintain and grow skills in regular practice. Polarized Light Microscopy (PLM) is an important tool for the study of cultural heritage objects, but its effective use is dependent on the skill and experience of the user.
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